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Creekbed Carter

by Creekbed Carter Hogan

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  • Drippy Eye Hat
    Hat

    Catholic School Khaki Hat with Embroidery
    Art by Halyn Erickson

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  • Ringer Shirt
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    Printed on Next Level 3604 Unisex Fine Jersey Ringer Tee, 100% cotton
    Art by Halyn Erickson

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    22x22" cotton bandana
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1.
Apiary 05:42 video
I am an apiary Honey hive of hatred in my throat I am a dirty river & nothin’ in me ever seems to float O I’ve tried & I’ve tried to keep me satisfied But I just can’t seem to mend my broken heart So I’ll wander down to the crossroads that we knew Where I’ll burn for you till death do us part You are a leaking pipeline Seeping where the garden’s growing green You are a preacher’s vision & Lord above you’ll never let me be Tho I’ve tried & I’ve tried to keep me satisfied But I just can’t seem to mend my broken heart So I’ll wander down to the crossroads that we knew Where I’ll burn for you till death do us part I am an apiary Honey hive of hatred in my throat I am a dirty river & nothin’ in me ever seems to float Tho I’ve tried & I’ve tried to keep me satisfied But I just can’t seem to mend my broken heart So I’ll wander down to the crossroads that we knew Where I’ll burn for you till death do us part O I’ll wander down to the crossroads that we knew Where I’ll burn for you till death do us part Yes I’ll wander down to the crossroads that we knew Where I’ll burn for you till death do us part
2.
If I Was 05:24 video
If I was If I was a loaded gun You might Treat me better, pull my trigger, cradle my barrel, keep me safe outta the sun Might polish all of my metal, give me your secrets, hold me till the battle was done That’s the way it would go, my own true love That’s the way it would go That’s the way it would go, my own true love That’s the way it would go If I was If I was a painted doll You might Shine my locket, keep me in your pocket, shake my rattle & promise that you’d never let go Dress me tender, bring me out of weather, o my great collector, ribbons round our fingers like so That’s the way it would go, my own true love That’s the way it would go That’s the way it would go, my own true love That’s the way it would go If I was If I was a golden coin You might Know how to heed me, o you might seek me, praise me as you promised & love me with fear in your eyes Keep workin’ mornin’ till the evenin’, laborin’ & hopin’ I would be your hard-won prize Back breakin’, dreamin’ of the takin, givin’ me whatever your body’s got until it dies Might listen, try to keep me hidden, I would be your center but darlin’, you’d never be mine That’s the way it would go, my own true love That’s the way it would go That’s the way it would go, my own true love That’s the way it would go That’s the way it would go, my own true love That’s the way it would go If I was something you could buy or you could sell
3.
I am thru with lovin’, lovin’ ain't for me I am thru with lovin’, lovin’ ain't for me O lovin' ain't for me, my darlin, lovin' ain't for me Lovin' ain't for me, my darlin, lovin' ain't for me Cuz you're a newt lootin’ boot scootin’ son of a gun And I'm lettin’ you fool me and everyone Well fool me once, fool me twice, I guess they call that lovin’ down in paradise But I don't know why, cuz it feels real mean, they should call it hell, and get me outta here O I am thru with lovin’, lovin’ ain't for me I am thru with lovin’, lovin’, set me free O lovin’, set me free, my darlin’, lovin’, set me free Yeah lovin’ leave me be, my darlin’, lovin’ leave me be Cuz you're a scabby old cast iron rustin’ away And I'm lettin’ you fool me everyday Well fool me once, fool me twice, I guess they call that lovin’ down in paradise Fool me thrice, fool me quadruple, when will I learn anything from all of my scruples O I don't know when, but I hope it's soon, cuz I'm gettin’ old, and I’m rottin’ away O I am thru with lovin’, lovin’ ain't my way Yeah I am thru with lovin’, every other day Every other day, my darlin’, every other day Lovin ain't my way, my darlin, lovin’ ain't my way Cuz you're a skunkweed slitherin’ quick-talkin’ piece And I’m lettin’ you fool me with looks like these Well fool me once, fool me twice, I guess they call that lovin’ down in paradise Fool me thrice, fool me quadruple, when will I learn anything from all of my scruples Fool quintuple, fool me sextuple, I guess we never made a very good couple But I wish we did, cuz I miss you still, and it hurts like hell, cut you outta my heart And I look for your face in every crowd And I listen for your voice ringin’ out You're haunting me in every corner of this desert town O and if you were kinder, and if you were sweet, You'd cut me loose, o you'd leave me be, But you never cut me loose, you only cut me down You never cut me loose, you only cut me down You only cut me down So I am thru with lovin’, lovin’ ain't for me Yeah I am thru with lovin’, lovin’ ain't for me No lovin’ ain't for me, my darlin, lovin’ ain't for me Lovin’ ain't for me, my darlin, lovin’ ain't for me Cuz you're a newt lootin’ boot scootin’ son of a gun And I'm lettin’ you fool me and everyone Well fool me once, fool me twice, I guess they call that lovin’ down in paradise Fool me thrice, fool me quadruple, when will I learn anything from all of my scruples Fool quintuple, fool me sextuple, I guess we never made a very good couple Fool me septuplet, fool me octagon, when will I stop feelin’ so goddurn woebegone Fool me nine, fool me ten Well Christ! I'm fallin’ back in love all over again
4.
Sycamore 04:15
I tried to be a girl for you I did the things that girls should do I wore the dress and folded my hands And prayed for the day to be over I tried to be a boy for you I did the things that boys should do I hit the wall with an open palm And prayed for the day to be over But now that I'm old as a sycamore tree All of me flowering wild and free I'm closer now than I'll ever be To the shape and the form of eternity I tried to be your saving grace I tried to fix what time could not erase I held your hand and I wore your face And I prayed for the day to be over But now that I'm old as a sycamore tree All of me flowering wild and free I'm closer now than I'll ever be To the shape and the form of eternity But now that I'm old as a sycamore tree All of me flowering wild and free I'm closer now than I'll ever be And I'm farther now, farther from thee I am closer now than I'll ever be To the shape and the form of eternity To the shape and the form of eternity To the shape and the form of eternity
5.
Lord, make me a scorpion Give me a poisonous tale that I can wield Lord, make me a rattlesnake Give me a skin I can shed in an open field And Lord, just one more thing Make those lonesome bells of mine ring For her no more Lord, make me a juniper Send me to stand all alone on a mountainside Lord, make me a violet Leave me to grow small and wild in a place I can hide And Lord, just one more thing Let those whining whippoorwills sing For her no more Lord, make me a thunderstorm Let my rage turn into mercy that falls from my eyes Lord, make me a tumbleweed Empty my head of the mem’ry of faithful blue skies And also her kind laughin’ eyes And Lord, just one more thing Let those cold winter winds bring Her ‘round no more O Lord, just one more thing Let those lonesome bells of my treacherous heart ring no more Oh ring no more Please ring no more Oh ring no more
6.
Well I am a ramblin’ guy I ramble, that’s what I do I run and I hide and I jump to the side Well that’s what I did before you Well I’m not a romantic guy I’m practical, that’s what I am I don’t dance, I shudder, and I drink from the udder But I’ll give you whatever I can Before you I never thought twice about love I kept to myself and the heavens above And although I am scared and quite unprepared This time I’m staying with you Now I’m not the nicest of guys I’m a downer, and that’s a fact I turn men and women away from my sinnin’ But with you I’ll make a pact Now I am a frightened guy I scare easy, what can I do I been beaten down and battered around But I’m hopin’ your love will prove true Before you I never thought twice about love I kept to myself and the heavens above And although I am scared and quite unprepared This time I’m staying with you Now I am a doubtin guy I got worries and misgivings and woes O but you said that you love me like the stars up above me So I’ll breathe and see how this goes [Before you I never thought twice about love I kept to myself and the heavens above And although I am scared and quite unprepared This time I’m staying with you
7.
Philomena 05:40
shaking like a leaf while the trees all turn to glass workin all day cuz the money's hard to pass on drifter at the creek where the cat becomes a prophet frozen to the quick when his breath all turns to losses bring me to the brick house down by the cemetery braid your hair all slick cuz i think we're gonna marry god only tricks cuz the truth is hard to carry when the winter melts i would like to move away sparrow in the meadow are you lookin for me fox in the snow are you lookin for me beetle in the weeds are you lookin for me are you lookin hard lover on a tuesday are you lookin for me mother on a sunday are you lookin for me every other evening i am lookin for me i am lookin hard cell-mass sucking towards the ever-moving tide only rats will mourn us when we go and die only dragonflies will wreath our heads with cherries only holy fungus will do us right by eating marigolds in heat and all the petals poppin i could try believing but i can't try that often burning open landscape while people form a dark wall rabbit won't you tell me anything at all sparrow in the meadow are you lookin for me fox in the snow are you lookin for me beetle in the weeds are you lookin for me are you lookin hard lover on a tuesday are you lookin for me mother on a sunday are you lookin for me every other evening i am lookin for me i am lookin hard so sing me off to slumber as our pipes all freeze sing to me of lilies, sing to me of trees sing to me of supper, sing to me of bees sing to me as many songs as you might please sparrow in the meadow are you lookin for me fox in the snow are you lookin for me beetle in the weeds are you lookin for me are you lookin hard lover on a tuesday are you lookin for me mother on a sunday are you lookin for me every other evening i am lookin for me i am lookin hard
8.
Well this is the story of the tricks and glory of the medieval Catholic Church The plague was killin’ and the Lutherans winnin’ in the battle for souls on Earth So the pope looked around and then up and then down, an idea underneath his hat He looked at a deacon, said, “Listen here, Stephen, I think we can cap-it-al-ize on that…” So some henchmen went roamin’ in the Catacombs of Rome and dug up all the bones of the poor They wrapped ‘em in gold, ready to be sold, complete with lots of made-up lore Then they got in their stirrups and rode across Europe and in every town they said, “Listen here pagans, if you want savin’, give your money to our holy dead” Well it ain’t quite the truth But neither does it count as a masterful lie Just another money-maker Designed by rich men digging through pockets in the name of the Bank of Jesus Christ Buy the finger of Peter, you fishing net weaver, and you’ll catch more fish than you can fry Wear the girdle of Magdalene on your birthing bed, your baby will not die There are 98 vials of the foreskin of Jesus and they’re yours for a limited price Just pay the church all that’s in your purse And we’ll throw in Saint Lucy’s eyes Or can we… Interest you in relics from the maidens of St Ursula Hundreds of ‘em, got so many we need to disperse ‘em all How’s about the yella braid that once adorned St Agatha Here’s a St Theresa, I think that it’s a scapula Don’t be scared, it don’t have to be a big dilemma Just pay to touch the severed head of Cath’rine of Siena The dried blood of St Jan-u-ar-i-us will turn to liquid If you pay up with any-thing that’s gilded Here’s the tongue of Anthony, ‘n it’s still wet like he’s still livin’ All 10 of Clare’s fingernails, can’t ya feel the grace they’re givin? And a sword from when St Oda cut her own dang nose off And a relic from when mourners bit St Francis’s toes off Doubting Thomas stuck his finger in the bleeding wounds of Jesus Now it’s yours for a buck and a bit of your fine cheeses In my bag I’ve got some Peter and St Paul O bless your heart, you need ‘em, o ya gotta catch ‘em all Ya gotta hand it to that pope, he sold a whole lotta hope in a time that was brutal and dire And tho hope ain’t his intent that’s the way that it went and what is hope but a kindle for fire? Who knows how the world coulda spun up and whirled if those fake holy bones had stayed dead Or how many ways of keepin’ the faith mighta colored our world instead? O it ain’t quite the truth But neither does it count as a masterful lie Just another money-maker Designed by rich men diggin’ thru pockets in the name of the bank of Jesus Christ It ain’t Quite the truth But neither does it count as a masterful lie Just another money-maker Became a way of marketing that Bank of Jesus Christ Became a way of colonizing prayers for Jesus Christ Became a way of honoring that gay ole boy Jesus Christ Amen

about

For trans folksinger Creekbed Carter Hogan, everything good is made from the rotten stump of something else. It’s a theme they’ve become familiar with as they’ve made a life weaving stories of growing up religious around songs that pierce the soul, tickle the funny bone, and showcase a unique blend of self-taught folk picking and queer mayhem.

Creekbed Carter is Hogan at their most confident. Deftly crafted with folk sensibilities, country swagger, and a power emanating from the force of their own desires, their new self-titled album is both creed and archive: a defiant declaration of survival and solidarity in an otherwise limited world.

Rooted in the eccentric preoccupations of a messy Catholic childhood that have been transformed into a dazzling, troubling, and ultimately wondrous collection of songwriting, this 10-track record represents a departure from the quiet revelations of Good St Riddance. Listeners accompany Hogan as they look clear-eyed at the world around them and draw power from the act of naming with language so precise, it comes as no surprise to learn that Hogan, in addition to being a musician, is also a fiction writer and educator.

Engineer Britton Beisenherz of Ramble Creek Studios (Austin, TX) and a cast of mostly Austin folk music legends bolster Hogan’s traditional fingerpicking styles and gender-ambiguous vocal stylings to build a new landscape for queer folk and country. Rising pedal steel star Zack Wiggs (Brody Price, Pelvis Wrestley) adds a new-country feel to “If I Was,” while Nora Predey and Gabriela Torres (Large Brush Collection) lend stunning backing vocals. Fiddle solos from Beth Chrisman (The Carper Family, The Frauleins), warm piano moments from Beisenherz, and banjo contributions from queer folksinger McKain Lakey shimmer and speak to the roots influences Hogan draws inspiration from. Lindsey Verrill and Jeff Johnston of folk trio Little Mazarn round out each track with a host of textural elements, constructing orchestral swells and acoustic eddies that compliment dense poetics and searing wit. Longtime fans of the Austin queer music scene will also recognize members of Brand New Key, Austin’s premier queergrass band, on “Apiary.” The result is a full-band collaborative sound that builds on the intimacy and precision of Hogan’s live shows when they’re performing as a one-rascal band in dive bars, back alleys, and fancy national stages.

Careful listeners will certainly delight in hearing familiar folk and country spirits that haunt these songs. Nick Drake’s influence can be felt in the arrangement of “Apiary.” “Stayin’ With You” and “Through With Lovin’” both share a penchant for troublemaking that speaks to hours spent listening to Roger Miller and John Prine. “Lord, Make Me A Scorpion” shares Bobbie Gentry’s flare for orchestral dramatics, while Karen Dalton’s influence sits just to the left of the lyrics for “If I Was.” Ultimately, however, Creekbed Carter is unplaceable, shapeshifting beyond a genre binary in favor of building a more expansive musical future. It’s a lineage they’re proud to step into, one that unites DIY artists, folk singers, trans visionaries, experimental writers, and country stars throughout history.

Clever, hopeful, bald, and true, Creekbed Carter is, above all, an act of resilience: a flaming sword that both creator and listener can use to cut their way out and get forward, together.

credits

released March 22, 2024

All songs written by Carter Hogan

Performed by Carter Hogan, Britton Beisenherz, Lindsey Verrill, Jeff Johnston, Beth Chrisman, Jill Csekitz, Mollie Fischer, Amy Moreland, Zach Wiggs, Nora Predey, Gabriela Torres, and McKain Lakey

All songs recorded and mixed at Ramble Creek Recording Studio by Britton Beisenherz, with the exceptions of “Apiary,” “If I Was,” and “Sycamore.” “Apiary” was recorded at Crosspick Studio with Amy Moreland and Ashley Welch. “If I Was” began at Crosspick Studio and finished at Ramble Creek with Britton Beisenherz. “Sycamore” was recorded and mixed by Richard Scholtz at his home studio in Bellingham, WA.

All songs mastered by Sarah Register

Album artwork by Benjamin Violet
Formatting by Kurt DeLashmet

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Creekbed Carter Hogan Austin, Texas

folk 4 folks who mean it

trans folksinger workin hard in austin, tx

"fingerpicked introspection and bittersweet confessionals" - austin chronicle

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